A Hidden Gem in Boston

Incredible circular stairway leading up to a 30 foot diameter leaded glass dome

I recently visited the fine city of Boston for the first time, just last week,  and I spent a wonderful day squired about by local artist and blonde vivant, Mark Hänser.

Operating on a tip from my fellow ornamentalist Cleta,  we wandered off the  Freedom Trail and scoped out the New England College of Optometry, which is housed in part in a grand 1894 mansion in the historic  Back Bay district.   The staff obliged me by allowing me to snoop around with my camera.

Students crammed for exams in the splendid Victorian rooms, while we  tiptoed through some of the more fabulous parts of the house, gobsmacked at the beautiful oak paneling and magnificent ornamental painting.

above: superbly painted ornamental frieze over a gilt ground in the foyer/sitting area off the main stairway.  These murals are painted on canvas and glued to the walls.

 

Oak stairway topped with a gorgeous leaded glass dome and Italianate ornament painted over gold leaf.

The school campus was completely renovated in the late 1990’s and  has won local and national awards for outstanding preservation and adaptive use of historic buildings. The decorative painting remains in very good condition.

Detail of painted Italiante ornament with stenciled gilt background

A fantastic gold mosaic effect was created by stenciling a geometric pattern over the gold leaf base prior to painting the ornament. This breaks up the reflected light and really gives a marvelous impression, especially in the low winter light.  I fully intend to try this technique in a future project!

The school also has a cozy library and study area, with beautiful ornamental plaster ceilings and polychromed lincrusta on the walls. Look closely at the detail- how many times have I seen this fantastic material painted glossy white? Painted in this way it can emulate Renaissance-era  embossed leather wallcoverings.

detail of textured library walls

A florid bit of polychromed lincrusta with 12 karat gold accents,  in the NECO library

All images in this post by Lynne Rutter

please click on the images to see them at larger size!

Lynne Rutter Murals and Decorative Painting

A Grotesque Ornament

Here are some work in progress pictures of an ornament I used as a demonstration panel at Salon earlier this month.

This is version of a large spandrel element I designed for a huge ceiling in the Paris Casino Resort in Las Vegas. That design was inspired by the ceiling ornament in the St Francis of Assisi Church in Sacramento, which I got to study closely while working on its restoration.

<--ornament in its base form

I still have my master drawings from the Paris ceiling, so I used one of the pounces to transfer part of the design onto some primed canvas.
The basic shapes are blocked in with two colors: pale green and salmon pink.

My ceiling in the Paris Casino Resort

Next the foliate shapes are shaded with several colors, and accented with yellow ochre. I use a dry brush technique to do this, so that the base color still shows through a bit.
All this makes for a pretty wild palette, but it's very effective especially from some distance.


The ornament is further defined by lining it with burnt sienna.

This panel found a home in nearby Elgin. Enjoy it, Sigi!


More about this year's Salon
Photos of the wonderful work exhibited at Salon at Flickr

Spandrel is in the glossary!

Lynne Rutter Murals & Decorative Painting

Grotesque obsession

As an Ornamentalist (and posting this while currently traveling in Italy) I can't help but obsess just a bit about the grotesque ornamentation that covers entire ceilings and indeed whole rooms in some of the places I have visited recently.

Grotesque figures found in a window of the Gallery of Maps, Vatican Museum, Rome

I am also absolutely rapt with my newest aquisition, Les Grotesques by Allessandra Zamperini, a comprehensive and lavishly illustrated book that traces the history of the form, from ancient Pompeii to the bestiaries and drolleries of medieval manuscripts, to the discovery of the Domus Aurea in the 15th century that inspired Raphael and his contemporaries to create an entire system of "grottesche" ornamentation, which endured as a major influence in painted decor for centuries, including singerie, neo-classical, and 19th century revival interiors. I bought the French version of the book while in Florence and have only slightly minded its weight in my luggage this last week.

Rome: ground zero for Grotesca
In future travels I'd love to visit the Guila Romano, Palazzo Farnese, Villa d'Este and some of the other fabulous villas that sport this kind of painting.

This time, I did get to spend a long day at the The Vatican Museum:

Renaissance "grottesche" ornamentation created by Raphael and his team of decorative painters in 1517-22.

Vatican - Museo Pio Clementino: details of ornamentation
by Christoforo Unterperger circa 1776

Santa Maria dell'Anima, Rome: detail of a chapel painted by Francesco Salviati, 1548.

Florence: The Uffizi

Spectacular painted ceilings in the main corridors, many of which were painted by Antonio Tempesta and Alessandro Allori around 1580

Detail of above ceiling

A small spandrel ornament on the lower floor of the Uffizi

note: photography is not permitted inside the Uffizi, so my images were taken by stealth.
Some of the other stealth photographers sharing this work on the web:
groenling's flickr set
MikevV

All of the images in this post photographed by Lynne Rutter, April 2008.
Select any image to view at larger size.

Les Grotesques is now available at amazon.com in English as: Ornament and the Grotesque: Fantastical Decoration from Antiquity to Art Nouveau
also recommended: "La grottesque" by Andre Chastel

Lynne Rutter Murals & Decorative Painting